From abstracts to concepts and visualization
One of Eggarat's defining habits is his ability to perceive the abstract essence of the world around him. He sees beyond the surface, uncovering the hidden infrastructure within forms and structures. By deconstructing these elements, he reimagines them, transforming their appearance and function into something entirely new. His process begins with listing abstract ideas, sketching, and blending them with other concepts to create a fresh perspective. He then layers functionality and form, culminating in designs that are both innovative and deeply rooted in meaning.
Nirvana d'Oro Armchair
The Nirvana d'Oro armchair is a celebration of Thai artistry, embracing the fluid curves that define the nation's aesthetic. Thai culture thrives on softness and grace, favoring organic shapes over rigid lines. This design captures the vibrant, colorful spirit of Thainess, a stark contrast to the minimalism often seen elsewhere.
Eggarat pays homage to this tradition by incorporating mirror mosaic textures, a hallmark of Thai craftsmanship. The armchair is more than furniture—it's a global ambassador of Thai warmth and hospitality, inviting connection and radiating the kindness inherent in Thai culture.
Sarong Chaise Lounges
A fusion of local and global artistry, the Sarong chaise lounges draw inspiration from the mural paintings of Wat Bhumintr in Nan Province and Van Gogh's *Starry Night*. The design captures the femininity of Thai women through ergonomic curves, sculpted to reflect the natural grace of the female form.
The surface of the lounges features intricate patterns inspired by Van Gogh's swirling skies, crafted using Ikat-dyed water hyacinth strings. This technique mirrors the traditional silk-dyeing methods of Eastern Thailand, blending local wisdom with global appeal. Since its debut in 2006, this piece has captivated audiences worldwide.
Bouncy Tangy Armchair
Eggarat's playful spirit shines in the Bouncy Tangy armchair, inspired by the abstract structure of a peeled tangerine. The design combines softness and bounce, achieved through a base of spring wires encased in plastic straws and woven with rattan wickerwork.
Topped with a Ban Chiang pottery-inspired seat, this chair is as functional as it is whimsical. Its innovative design has earned accolades from Thailand's DeMark, Japan's GMark, and Singapore's IFF awards, cementing its place as a beloved piece of playful furniture.
Gaudi Chair
Named after the visionary architect Antonio Gaudí, this chair draws its inspiration from the natural infrastructure of organic forms. Eggarat studied the veins of a leaf, noting how they support and nourish the structure.
The Gaudi chair mimics this relationship, with tensioned strings and a metal frame reinforcing each other to create a sturdy yet elegant design. It's a testament to the harmony between form and function, embodying the beauty of nature in a functional piece of art.
Again, Its innovative design has earned accolades from Thailand's DeMark and Japan's GMark Awards
The Gatsby Chair Collection
Inspired by Thailand's renowned massage traditions, the Gatsby Chair Collection was conceived during a visit to Wat Poh Temple in Bangkok. Eggarat envisioned a chair that could massage the sitter's buttocks while seated.
The design features small wooden squares sandwiched into memory foam, creating a surface that appears rigid but feels incredibly soft. The uneven weight distribution of the wooden pieces provides a unique, comforting experience, blending tradition with innovation.
The Kimono Armchair
A serendipitous moment with a pencil sharpener led to the creation of the Kimono armchair. Eggarat saw potential in the curvy shavings, imagining them as the foundation for a chair.
The final design features flowing, curvilinear lines that cradle the body, reminiscent of a Geisha's kimono. It's a perfect blend of form and function, offering both comfort and aesthetic appeal.
The Art of Oshi-e
Inspired by the Japanese art of Oshi-e, which involves pressing and folding fabric and paper to create images, Eggarat applied this technique to furniture design. The result is a chair with an origami-like structure, merging two traditional crafts into a single, striking piece.
The Bijan Ceramic Wares and Mourad Ceramic Teaset Collection
During a trip to Iran, Eggarat was captivated by the country's architecture. He channeled this inspiration into a collection of ceramic stoneware, collaborating with a Chiangmai manufacturer to bring his vision to life.
The collection features intricate designs inspired by minarets, mosques, and Islamic facades, transforming sacred beauty into functional domestic art.